Jean Luc Godard?s Weekend as Didactic Self-Reflexive Cinema Essay

agree to Stephen Prince in Movies and Meaning an Introduction to Film, Screen Reality is a creation that pertains to the principles of time, space, character behavior and audiovisual design that filmmakers systematically organize in a given film to create an ordered world on-screen in which characters may act and in which a narrative may unfold.(262) integrity mode of movie theatertic screen reality is self-reflexivity. While the other troika modes of screen reality seek to sway the audience into accepting the legitimacy of the world and the story that ar on screen, the self-reflexive behavior deliberately attempts to fool down the illusion of the cinema. In doing so, it reinforces the awareness that film is socially and culturally constructed and that at its core, film is art, non reality. There are 2 purposes in using self reflexive techniques, either for comedy or with the expect of addressing a social or cultural issue. (Prince 290)The more familiar of the two modes of self-reflexive cinema make use of a comedic mode, and whats more, many contemporary comedies exist comedic self-reflexivity (Prince 291). These comedies do so because it facilitates a more personal rapport betwixt the characters and the audience, thus amplifying the biliousness that can be seen in the narrative. However, there are certain limitations to comic self reflexivity. By presupposing the audiences familiarity with the humor or references in the narrative, the mode risks reaching an audience that does not bring up to the material presented. Some films are unable to meet a giant audience because their narratives are constructed from inside jokes that can not be mute by all who will see it. (Prince 290)The other mode of self-reflexive cinema that addresses an issue of importance is commonly known as didactical self-reflexivity. startle in the 1920s with Bertolt Brecht, a playwright who wanted to craft plays that were contemplative of society and that made sure the aud ience was aware of this. He wished that his execution inform the public and impact social change, to share his perception without a screen. Seeing realism as an impediment that kept the audience from perceiving the subject matter of the art, Brecht sought to devise theater that was uncompromisingly revolutionary and candid. This new style was characterized by the employment of titles to reveal the next action, in the way tha... ...aken from a scene. For instance, a title passes on screen reading "World / 3", just before the African and Arab workers explain their optimism and their reasons for accepting the necessity for violence. As seen doneout the film, Godard uses these titles as a device to Introduce and set turned a given scene from the surrounding context of the narrative, tell viewers what it is they are about to see, remind viewers of the filmmakers intrusion on the narrative, and punctuate the way the filmmaker has chosen to shape and organize the structure of the film. Filmmakers desire Jean Luc Godard employ the devices of the self-reflexive mode of screen reality because they do not value the mode of realism or expressionism to adequately convey round social truth or ideal. In choosing a didactic style of representational reality, he sought to guide and direct the viewer through the key representations and dialogues within the film. Godard believes that it is necessary for the audience to read the film as it must be without misinterpretation and as such has employed didactic self-reflexive devices which facilitate a clear reading of the film. The film is the message for Godard.