Darkness

Yet people also learned to care ending because of Christianity s doctrine of punishment and guilt . The guileworkworks depict rotting corpses and corpses devoured by animals , to symbolize man s moral corruption . As the pestering worsened life became more destitute , until intense paranoia lave Italy . People clamored for the Church s business leader to help them extend give up of their sins . As acts of penance , people embarked on pilgrimages and offered indulgences in hopes of attaining redemption . It was also at this time that mystics like Catherine of Sienna emerged , but sooner of turning guilt into fear these mystics embraced conclusion . Catherine , for instance , believed that the salvation of mankind can be obtained through spiritual shut . Spiritual devastation meant living a life of beggary , penance and prayer .

From morbidity to mysticism , the social localization of death in mediaeval Italy was culturally apparent in the art of that period The second article challenges the dominant project of medieval Italian art , focusing on Christianity s power to specify people s views and attitudes towards death . As consequence , theology curb the latent movement towards earthly subjects and style . In his depth psychology of medieval Italian art , Millard Meiss offers a view that the religious conservatism and the practice of papal condescend in art are all part of a ploy to terminus ad quem the already diversifying medieval clubhouse . Christianity instigates fear and punishment of death to gloss over the fear of non-Christians and their encroaching cul tures . Through art , Christianity taught pe! ople to fear death , as well as the gentiles , being bringers of evil...If you want to get a full essay, enjoin it on our website: OrderCustomPaper.com

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