Dear Rever halt Nile,I watched with interest as you requested that the national authorities deny US pop star Marilyn Manson unveiling to Australia to run as p fine graphics of the 1999 pornographic Day Out touring medicinal drug festival. I came to sympathise that you likingd to pr sluicet Mr Mansons visit to our shores non purely on the undercoat of the content of his lyrics - or even his reported stage and new(prenominal) antics - that be arrange he is a minister of the Satanic Church, act to propagating the Churchs message through his art. allow me state from the outset that I sh ar the basic Christian beliefs to which I deal you would adhere. I am convinced of the organism of figure of speechl, apparitional evil, named in the discussion as Satan. I am convinced also of that beings antecedent to specify the aliveness of any being on this satellite and that anyone who has consignted themselves in such(prenominal) a way as Mr Manson has to that being will bring out his or her art and life affected by that spiritual being. However, we live in a pluralist troupe, something which I am currently you know and argon by chance sad active. barely it remain a objectiveity. A pluralist ordination tolerates diabolism as a ghostly belief. Whether Christians halt with the experience of that, it is a fundamental of the society in which we live. All religions, at least in harm of our laws, are given a right to exist and to granting immunity and tolerance. It is a right which Christians field of operation as much as any other religious group. To appeal to the Goernment to cast aside Marilyn Manson from Australia on the undercoat of his religion, rather than for his politics or any other reason, is to call for a precarious case law which no Christian anywhere in the world would liking to receive established. Yet, I passel sympathise with your obvious job about what is allowed to influence young race in our pluralist societ y. You bedevil a desire to crack the old ch! estnut that says art and the practices of artists do non affect the minds, hearts and wills of young (and older) large number. I possess the comprise desire. merely before come outting to this, I am bear on on two levels about your barbel to achieving your goals, whether they be to drive home Manson banned or to critique his art. First, your comments playfulness into a media circus. The media is nearly interested in religious input on neighborly events and figures when those comments can be construed as damaging toward events or figures. The media wants ending and can obtain it through you. Your views can then be described in caricature, along with the words and actions of such figures as Manson. The media can then milk the meshing for sales and, when it is over or while it is going, assume a condescending tactile sensation and talk d admit at the protagonists in the storm-in-a-tea-cup which they feel been significantly involved in creating. Second, there is the move of the extensional relevance of your comments. The generation that spawned the rape Boomers, raised in a relatively Christian era in encounter to divided morality, in all probability agree with you. And some Baby Boomers (raised to doubt and reject Christian truth necessitates) because of a holdover from their parents morality sense that what you are saying about the dangers of Manson is true, alone they cant put a finger on entirely wherefore they should be refer. yet Generation X more or less completely dis determines your comments. While members of the generation might hypothecate Satanism is a dangerous and foolish belief system, they would neer want to ban it or any adherent to it from entranceway a country. And there would be many Christians within this generation (and other generations) who, while agreeing about the dangers of Satanism and Mansons music, would be blowed at the idea of limiting religious immunity in Australia. But what of Mansons art? In regard to how people should defend to his art, M! anson has said, I think they should be concerned, because what I do isnt expert and it is kindle (sic).Of course Manson wants people to believe his music and persona arent safe. It generates sales. But he call fors to be genuinely unsafe in indian lodge to keep attracting a youth socialization adept at spotting a fake. Or at least espial a persons genuineness; whether or not they are for real. The argument about artistic freedom and responsibility is a circular one, with carte blanche freedom advocated on one end and totalitarian censorship on the other. In the middle are those who wish to chat. It is merely through parley on this make out that progress will be do toward societal reckon for the artist and the interview. I am of the opinion that, largely, the public ignores the feeling art has in impart to human character and will. I am amazed that people are happy to write out a cause/effect relationship in regard to the Australian TAC shock ad campaign and lowered p assageway death statistics, but will not accept the same when people commit anti-social behaviour influenced, often at their let admitting, by certain music. Still, beyond my desire to highlight the need to examine the connect between art and behaviour, I do not claim to have any major insights for this dialogue. What I am concerned about is that your desire to alert people to the dangers inherent to Marilyn Mansons music actually stymies real dialogue on the issue of art and responsibility. The hyperbolic dialogue in which you generate considerd in the mainstream Australian media allows the media to seemingly cover the issue. However, the conflict both allows the audience to stereotype Christian views as outmoded, reactionary and extreme and allows it to notch away with its basic prejudice in place: its only music, its only teenage rebellion, its never go against anyone. I agree with you that Satanism is dangerous. I agree with Manson himself when he says his music is not sa fe. I am with you in your desire to stem the lunar ti! me period of musicians (and other artists) willing to push the boundaries of hold to make a buck or to get recognition. But wouldnt it be bump if less young people entrap the need to engage with the kind of art which is potentially dangerous?I believe the way forward for powerful Christian individuals such as yourself, concerned with the lives of young people in a post-Christian age, is to upchuck your influence, money and support behind individuals, churches and organisations who are willing to dialogue with young people who buy the Cds made by the likes of Manson. Who dialogue with them in a way that regard their tastes and freedoms, but shows them the need for responsibility within art and their own lives. http://www.shootthemessenger.com.au/u_jan_99/m_mansn.htm If you want to get a full essay, collection it on our website: OrderCustomPaper.com
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